Another in our series of Chopi Migodo, from Mozambique, collected by the great ethnomusicologist Hugh Tracey. In Gomukomu’s Ng’godo for 1942/43, work, taxation, and their effects on women are the dominant themes, against the background of oppressive Portuguese rule.
Another in our series of Chopi Migodo, from Mozambique, collected by the great ethnomusicologist Hugh Tracey. Gomukomu’s Ng’godo for 1940 is a celebration of the beauty and power of Chopi music, set against the sheer pettiness of Portuguese rule with its forced labour, its taxes and its tiresome officials.
The Migodo (singular Ng´godo)of the Chopi people of southern Mozambique are among the most exciting spectacles to be witnessed in Africa. They are annually staged entertainments made up of dances, songs and music played on orchestras of massed xylophones played by up to 48 musicians.
A Chopi song from southern Mozambique. This song is taken from one of the Chopi Migodo (sing. Ng’godo). These are long entertainments, each lasting for some forty‐five minutes, played on orchestras of massed timbila, or xylophones.
Hark how the music thunders!
Listen with your wives and hear the call.