Another in our series of Chopi Migodo, from Mozambique, collected by the great ethnomusicologist Hugh Tracey. In Gomukomu’s Ng’godo for 1942/43, work, taxation, and their effects on women are the dominant themes, against the background of oppressive Portuguese rule.
Ng’godo: Gomukomu 1940
Another in our series of Chopi Migodo, from Mozambique, collected by the great ethnomusicologist Hugh Tracey. Gomukomu’s Ng’godo for 1940 is a celebration of the beauty and power of Chopi music, set against the sheer pettiness of Portuguese rule with its forced labour, its taxes and its tiresome officials.
