Oral Poetry from Africa
Whilst the following poem by Samuel Olugbeminiyi principally concerns the Òrìṣà Ṣàngó, it is also a retelling of the most well-known myth about the Yorùbá goddess Ọba and her rivalry with the goddess Ọ̀ṣun for Ṣàngó’s affections.
Elempe’s people accorded Torosi’s son with native intelligence,
He was possessed with bits of four hundred deities…
Another in our series of Modern Poetry in the Oral Manner, this one about one of the most prominent Òrìṣà, Ṣàngó also known as Shango (see also In Praise of Shango) or Xango in Latin. The following poem not only addresses his encounter with the Owu people, now concentrated in Abeokuta, but also portrays Ṣàngó’s personality ranging from his birth, life and wives, to his controversial end.
Jakuta, son of Aganju,
Violent ruler, grandson of Oduduwa…
Shango, or Ṣàngó, was the third Alafin (king) of the Oyo kingdom. He was deified after his death and is one of the most popular Òrìṣàs across the Caribbean and the Americas. These praises are sung by devotees of Ṣàngó and emphasise the daily duty of paying respect to the Òrìṣà.
When the elephant wakes in the morning,
he must pay his respects to his new wife…
