African Poems

Oral Poetry from Africa

Tag: Nigeria (Page 2 of 10)

The Mouse, the Squirrel and the Tortoise

This is another poem sent to us by Oluwatoba Opemip, a student of Adekunle Ajasin University in Ondo state, Nigeria. As in the previous poem, Oluronbi, this is a modern working on traditional Yoruba folklore…

Iremoje for Ogunjinmi

The following Iremoje was part of the dirges chanted at the funeral of a deceased hunter, Ogunjinmi, whose name means “the god Ogun blesses or favours me”. See also The Asipade and Iremoje for Pa Ogundele for previous examples of this genre.

The Iremoje funeral rites are held at night, outside the house of the deceased hunter, and will continue until dawn. As Ogun is regarded as the Orisha who brought the knowledge of metallurgy to mankind, other members of the community who use iron implements such as farmers, blacksmiths, barbers, drivers and weapon-smiths also join the hunters family and friends in attending the ritual. The audience forms a circle around the ritual space. At the center of the ring, the hunters tools are arranged around an effigy of the deceased including his hunting clothes, tools and weapons.

To live in the forest the hunter must master various skills, carpentry to build his hunting lodge, knowledge of medicinal plants to heal his wounds, knowledge of culinary plants for cooking, and tailoring so that the hunter can weave clothes to keep him warm and disguise himself from his prey. The following Iremoje was chanted by Lamidi Abonikaba at Oyo in 1975. During the dirge Lamidi holds up the needle that the hunter used whilst in the forest.

Ogunjinmi, you have caught your father’s dog.
A needle that falls into a pit is lost forever…

Iremoje for Pa Ogundele

The following poem is part of the dirges chanted at the funeral of a deceased hunter, Pa Ogundele, by Atoyebi at Agunpopo, Oyo in 1975. Pa Ogundele was a member of the hunters society, the Asipade, (see The Asipade) for whom magical charms are an essential tool for capturing animals and surviving in the forest. However, whilst these charms are highly prized ultimately no magic can defeat death.

Ajuwon Akanbi,
Hunter, I thought you had egba magic…

The Asipade

Iremoje are a Yoruba corpus of poetic chants sung at the funerals of dead hunters. The activities of hunting and warfare fall under the providence of the Yoruba god Ogun, and thus Iremoje also emphasise the virtues and talents associated with this Orisha. See also A Salute to my Ogun, Ogun, God of War i, and Ogun, God of War ii.

Ogun is said to have spent half his life in the forest and the other half in the townships bringing civilisation to mankind. This contrast between the wildness of the forest and the order of the townships is often referenced in Iremoje.

Ogun, Chief Lakaaye
Chief Osin Mole…

Cuckold Contented

A Yoruba song, partly satirical, partly pragmatic. Sourced from the Black Orpheus magazine that was founded by Ulli Beier in 1957 and co-edited by Wole Soyinka and Es’kia Mphahlele.

My wife told me
I go to the market…

May Allah Give Me a True Friend

A Hausa song from northern Nigeria. The singer is longing for a child. It is from an anthropological record of the Hausa people, partly compiled from an oral account given by Baba (1877-1951), the daughter of a Hausa farmer and Koranic teacher, and translated by May K. Smith.

May Allah give me a true friend whether he’s small or big,
Even an infant sucking at the breast, or one lying in the womb…

Election Songs

Three Yoruba songs, sung by women supporters of the two parties in the Federal elections of 1959 in western Nigeria. The main contenders were the National Council for Nigeria and the Cameroons (N.C.N.C.), the ruling party whose symbol was the Palm Tree, and the Action Group, whose symbol was a cockerel.

The first song is by the Action Group women who claim the N.C.N.C. belongs, like its symbol, in the bush, along with lepers.

The palm tree grows in the far bush:
Nobody allows the leper to build his house in the town:
The palm tree grows in the far bush…

Bawa’s House

A Hausa song from northern Nigeria, popular with women. It is from an anthropological record of the Hausa people, partly compiled from an oral account given by Baba (1877-1951), the daughter of a Hausa farmer and Koranic teacher, and translated by May K. Smith.

The poem refers to a barber who is also a pimp, with a purely businesslike attitude to love. The women, by contrast, look to Allah for wealth and to Bawa’s love for pleasure.

The barber doesn’t want a burning passion:
He doesn’t wish it to break him up…

Towns (Ibadan)

A Yoruba Iwi, or masqueradors’, chant from Nigeria. It is a sharp criticism of modern Ibadan as a town of thieves, violence and disease. For more Iwi poetry, see Tricks.

The spirit of the rock protects the town.
Ibadan, don’t fight!..

Song of the Zakkama to the Sultan of Borno

An extract from a Kanuri Praise-Poem from the ancient kingdom of Bornu in northern Nigeria (c.f., The Sultan of Bornu, Queen Gumsu, The Yerima Mohammadu, In Praise of Yerima Aji, and The Song Sung to Kaigama Anterashi, son of Lima). The Sultan had three official praise singers, who walked beside him procession, or stood before him in audience. Their titles, in order of precedence, were Ngijima, Babuma and Zakkama. The praises are addressed by the Zakkama to Sultan Aman Alimi, who reigned 1793-1810.

You, son of Gumsu, Gumsu Amina, daughter of Talba, you Ibrahim,
Have attained to your father’s place among the great…

Page 2 of 10

African Poems